© 2010 The Festival Music Society of Indiana
Indianapolis Early Music (IEM), originally known by its current corporate name of Festival Music Society of Indiana, was established in 1966 as a not-for-profit organization to enrich, educate and entertain audiences with the music of Medieval, Renaissance, Baroque and early classic eras. IEM concerts feature high quality performers, performing on instruments of the period. IEM was the first organization of its kind formed in Indiana and only the second in the nation at the time of its organization. It is now the oldest continuous Early Music series in the United States. The festival occurs each June and July.
IEM initially concentrated on the major works of the Baroque era, such as Bach, Handel and Vivaldi. The historic range was later expanded to include that of the Renaissance and Medieval periods. Music played at IEM concerts was generally composed between 900 A.D. and 1800 A.D. Performances have included vocal music, both choral and solo; instrumental music, both ensemble and solo, and dance, court, folk and ballet. A number of student-performers have received specialized training through IEM summer performances. Other young artists have gained experience and exposure through IEM. Educational components have also been regularly included in IEM programming, as it seeks to increase the public’s understanding and appreciation of early music. Performers are selected who are historically-informed and worldly acclaimed interpreters of early music.
From 1973-2007, the Society’s music director was Frank Cooper, who also presented lectures relating the early music being heard with the art and architecture of the period and country. A former member of the faculty of Butler University, Cooper was an accomplished harpsichordist and an interpreter of Early Music. He is now Research Professor of Music in the Department of Musicology at the University of Miami, Coral Gables, Florida and Associate Curator of Fine Arts at the Vizcaya Museum in Miami.
In 2007, following Mr. Cooper's retirement, IEM had the good fortune of obtaining Mark Cudek as our Artistic Director. He is also the director of the Early Music Department at the Peabody Conservatory at Johns Hopkins University in Baltimore, Maryland. Cudek is an accomplished performer who plays the guitar, recorder, crumhorn, bass viol, and percussion. He plays with HESPERUS, APOLLO’S FIRE, CATACOUSTIC CONSORT and BALTIMORE CONSORT. He is actively involved in the Peabody Renaissance Ensemble, has been creator and Director of the High School Early Music Program at the Interlochen Arts Camp in Michigan and continues to be involved. He has taught for twenty-five years; recently created a Masters program at Peabody; instituted a new Baroque Orchestra, and developed an early music program at the Walters Art Museum in Baltimore. Cudek has performed in the Indianapolis Early Music Festival both as a member of HESPERUS and, more recently in the summer of 2006, with THE BALTIMORE CONSORT. He has a BFA from University of New York and an MM from the Peabody Institute. In 2001 he received the Early Music America Thomas Binkley Award and in 2005 from Early Music America the award for Outstanding Contribution to Early Music Education.
Mary Ellen Roberts was the IEM Executive Secretary for many years until her death in early 2008.
In mid-2007 Gail McDermott-Bowler became Managing Director. A former Board Member of IEM, Gail worked several years for the Indiana Repertory Theater helping to promote and publicize their productions.
IEM Milestones
IEM has been the setting for North American premieres of important music works. Famed harpsichordist Igor Kipnis performed the cycle of seven Bach Partitas in Indianapolis before making his Grammy-nominated recordings of them for Angel Record. The recordings carry a credit to IEM's parent Festival Music Society.
The Society has introduced a series of exceptionally gifted young artists who have gone on to successful professional careers.
IEM has a long association with National Public Radio. NPR broadcasts throughout the United States and Canada selections from IEM concerts on its program Performance Today as well as Harmonia.
IEM has conducted workshops in early music and dance, presented a symposium and exposition of historical musical instruments and sponsored the Collegiate Virtuoso Competition.
.
Interaction between audiences and performers is encouraged at informal, post-concert receptions, where performers and the audience mingle.
IEM initially concentrated on the major works of the Baroque era, such as Bach, Handel and Vivaldi. The historic range was later expanded to include that of the Renaissance and Medieval periods. Music played at IEM concerts was generally composed between 900 A.D. and 1800 A.D. Performances have included vocal music, both choral and solo; instrumental music, both ensemble and solo, and dance, court, folk and ballet. A number of student-performers have received specialized training through IEM summer performances. Other young artists have gained experience and exposure through IEM. Educational components have also been regularly included in IEM programming, as it seeks to increase the public’s understanding and appreciation of early music. Performers are selected who are historically-informed and worldly acclaimed interpreters of early music.
From 1973-2007, the Society’s music director was Frank Cooper, who also presented lectures relating the early music being heard with the art and architecture of the period and country. A former member of the faculty of Butler University, Cooper was an accomplished harpsichordist and an interpreter of Early Music. He is now Research Professor of Music in the Department of Musicology at the University of Miami, Coral Gables, Florida and Associate Curator of Fine Arts at the Vizcaya Museum in Miami.
In 2007, following Mr. Cooper's retirement, IEM had the good fortune of obtaining Mark Cudek as our Artistic Director. He is also the director of the Early Music Department at the Peabody Conservatory at Johns Hopkins University in Baltimore, Maryland. Cudek is an accomplished performer who plays the guitar, recorder, crumhorn, bass viol, and percussion. He plays with HESPERUS, APOLLO’S FIRE, CATACOUSTIC CONSORT and BALTIMORE CONSORT. He is actively involved in the Peabody Renaissance Ensemble, has been creator and Director of the High School Early Music Program at the Interlochen Arts Camp in Michigan and continues to be involved. He has taught for twenty-five years; recently created a Masters program at Peabody; instituted a new Baroque Orchestra, and developed an early music program at the Walters Art Museum in Baltimore. Cudek has performed in the Indianapolis Early Music Festival both as a member of HESPERUS and, more recently in the summer of 2006, with THE BALTIMORE CONSORT. He has a BFA from University of New York and an MM from the Peabody Institute. In 2001 he received the Early Music America Thomas Binkley Award and in 2005 from Early Music America the award for Outstanding Contribution to Early Music Education.
Mary Ellen Roberts was the IEM Executive Secretary for many years until her death in early 2008.
In mid-2007 Gail McDermott-Bowler became Managing Director. A former Board Member of IEM, Gail worked several years for the Indiana Repertory Theater helping to promote and publicize their productions.
IEM Milestones
IEM has been the setting for North American premieres of important music works. Famed harpsichordist Igor Kipnis performed the cycle of seven Bach Partitas in Indianapolis before making his Grammy-nominated recordings of them for Angel Record. The recordings carry a credit to IEM's parent Festival Music Society.
The Society has introduced a series of exceptionally gifted young artists who have gone on to successful professional careers.
IEM has a long association with National Public Radio. NPR broadcasts throughout the United States and Canada selections from IEM concerts on its program Performance Today as well as Harmonia.
IEM has conducted workshops in early music and dance, presented a symposium and exposition of historical musical instruments and sponsored the Collegiate Virtuoso Competition.
.
Interaction between audiences and performers is encouraged at informal, post-concert receptions, where performers and the audience mingle.
Indianapolis Early Music: America's Oldest Continuous Presenter of Early Music
Mark Cudek IEM Artistic Director
Meet The IEM Board of Directors